A judge opens an inquiry into the circumstances surrounding the death of an MP.

22-year-old Jeppe is suffering from autism and works in a camping shop in his birth town Silkeborg. Everything seems chaos when a colleague suddenly decides to change all the systems in the shop. But when the city girl Mynthe and her two girlfriends check into the camping site, Jeppe cannot concentrate on anything else but the fascination of this strange girl. Mynthe is on vacation - away from her mother and an unstable life. When she meets Jeppe at a summer party, she somehow finds the stability she has longed for. They fall in love with each other's differences with ties so close that Jeppe begins to fear the day the holiday is over and Mynthe has to go back to Copenhagen. Keeping the love between the two youngsters seems impossible - until Jeppe realizes that Mynthe may need him more than he needs her.

Inspired by the subject and by his wife's own phobia, Luc Moullet approaches this often-feared insect through the unique prisms of religion and sexuality in a daring essay.

Debs Paterson's documentary short on the kidnapping of Nyange school students following the 1994 Rwandan genocide.

Repurposing the video game Sleeping Dogs (2012), IN THE LONG RUN//WE ARE ALL DEAD is a single-take experimental machinima that unfolds within the rain-soaked, neon-lit streets of a virtual Hong Kong. Operating within the aesthetics of neo-noir, the work constructs a relentless pursuit—an enigmatic chase where the identities of both the pursuer and the pursued remain ambiguous. Sirens wail, bullets ricochet, and rain distorts the cityscape, reinforcing the sense of perpetual movement and existential uncertainty. Who is the runner? What is the nature of their escape? Is there an endpoint, or is the pursuit itself the defining condition of this digital existence? Offering no resolution, the machinima foregrounds the mechanics of pursuit as a metaphor for the relentless temporality of virtual worlds and the cyclical nature of digital violence.

Every night, the t.v. floods us with images of the war in former Yugoslavia. We see the victims of this cruel war, but often images remain abstract, unreal. This documentary shows the moment when the confidence and co-operation between Muslims and Croats in a Bosnian village deteriorate. When a British camera team pays a visit to the idyllic village early this year, an amazing tranquillity still reigns. Everybody lives peacefully alongside each other and people are convinced that the war will not be capable of dissolving their village community. But when the warfront is closing the trust between the villagers starts crumbling. Rumours about brutalities and fights in the vicinity raise the tension. Suspicion, fear and eventually even violence between villagers result in a disintegration of a community that until recently lived in harmony. Eight weeks after their first visit, the camera team returns to the village. It appears to be another village than the one they remembered. Nearly all Muslim houses have been destroyed and its former inhabitants have changed from villagers to refugees. Debbie Christie, the maker of this documentary, has made an attempt to give the victims a face and a voice, so they can be understood as individuals and not merely as symbols of collective suffering.

Mini-series set in times of WW II about Soviet underground fighters led by brave Anna Morozova. They are establishing connection with Polish people who work on German airfield. And even small victories cost a lot sometimes.

"We Are" chronicles Penn State's path from the 2011 scandal that resulted in the removal of a statue of legendary coach Joe Paterno to the design of its community-encompassing replacement. Sculptor Jonathan Cramer, a Penn State alum, drew inspiration for its creation from the 1948 PSU football team that overcame racial adversity with the still-used mantra "We Are Penn State."

In a set of 6000-year-old stone tablets, the Sumerians of Mesopotamia vividly describe cataclysmic planetary events which billions of years ago gave our solar system it s current configuration, fashioning our own planet in the process. Sumerian records also mention advanced human cloning technology and the existence of an additional planet in our solar system referred to as Nibiru, which is currently unknown to modern science, and is the recorded home of our human ancestors, according to these ancient records. Eminent scientists agree that calculations tend to confirm the accuracy of the ancient Sumerian creation story. Now unmanned U.S. space probes have photographed pyramids and other strange features on the surface of Mars, suggesting this was once the site of an alien space base.This production appears to be a trimmed edit of the 1978 production of the same name.

After the infamous "tribble" incident at Space Station K-7, the Klingon Empire plots to destroy the Federation's life saving quadro-triticale crops, by disrupting future shipments to Sherman's planet.